Norwegian black metal formation 1349 are now releasing an official music video for the song “Through Eyes of Stone”, taken from the band’s latest effort ”The Infernal Pathway” (released in October 2019). The music video was shot and directed by Vesa Ranta and Aapo Lahtela.
European tour dates with Abbath, Vltimas and Nuclear:
23 Jan 20 Weimar (DE) Uhrenwerk
24 Jan 20 Bochum (DE) Matrix
25 Jan 20 Nijmegen (NL) Doornroosje
26 Jan 20 Antwerpen (BE) Trix
27 Jan 20 London (UK) Islington Assembly Hall
28 Jan 20 Paris (FR) La Machine Du Moulin Rouge
29 Jan 20 Nantes (FR) Stereolux
30 Jan 20 Toulouse (FR) Metronum
31 Jan 20 Barcelona (ES) Salamandra
01 Feb 20 Madrid (ES) But
02 Feb 20 Lyon (FR) Nikasi Kao
04 Feb 20 Mannheim (DE) MS Connexion Complex
05 Feb 20 München (DE) Backstage
06 Feb 20 Luzern (CH) Schüür
07 Feb 20 Parma (IT) Campus Music Industry
08 Feb 20 Brno (CZ) Fleda
09 Feb 20 Warschau (PL) Progresja
11 Feb 20 Berlin (DE) Festsaal Kreuzberg
12 Feb 20 Hamburg (DE) Kulturpalast
13 Feb 20 Copenhagen (DK) Amager Bio
14 Feb 20 Gothenburg (SE) Tradgarn
15 Feb 20 Stockholm (SE) Fryhuset Klubben
Norwegian black metal titans 1349 have returned with their long-awaited seventh full-length: ‘The Infernal Pathway’. The album promises a journey through chaos and madness, darkness and peril, terror and annihilation.
1349 is Aural Hellfire. That has been and continues to be, the primary concept since the band first rose from the ashes of Alvheim in 1997. Conceived around the founding members – vocalist and former drummer Ravn, guitarist Tjalve, and Seidemann on bass – 1349 completed their line-up with the addition of guitarist Archaon in 1999 and Satyricon drum-legend Frost in 2001.
When their debut ”Liberation” was unleashed in 2003, the Norwegians took the world by storm with their intense blend of old school black metal soundscapes and ultra-fast aggression. Further assaults followed in rapid succession. ‘Beyond the Apocalypse’ (2004) and ‘Hellfire’ (2005) cemented the band’s reputation as one of the strongest acts in the scene.
Upon the departure of founding member Tjalve, who decided to focus on his band Pantheon I, 1349 have since continued as a four-piece – occasionally adding guest guitarists. Extensive touring aided the growth of their now massive following when the four pieces opened for reunited metal legends Celtic Frost in North America in 2006.
Impressively demonstrating that holding true to the principles of the genre does not mean nostalgia and stagnation, 1349 widened their sonic palette with ”Revelations of the Black Flame” (2009), which was co-mixed by Celtic Frost mastermind Tom Gabriel “Warrior” Fischer. This inspired newfound ambient darkness from the band, which was further explored on ”Demonoir” (2010).
”Massive Cauldron of Chaos” (2013) was the next milestone in the Norwegians merciless advance, scoring excellent reviews and a nomination for a Norwegian Grammy (Spellemannprisen). The release sparked more festival shows as well as extensive touring, bringing 1349 to Australia and New Zealand. In 2018, the Munch Museum and Innovation Norway chose 1349 as one of four bands to create a song based on the paintings of Edvard Munch. As a result, the song ”Dødskamp” was released earlier this year.
After performing a fiery show at Norway’s Inferno festival this year, 1349 started recording in Amper Tone studios and Studio Nyhagen with engineer Jarrett Pritchard. Thus, ”The Infernal Pathway” was born, a sonic parallel to summoning and unleashing the beast of the abyss in all its fearsome, ferocious and powerful splendor.
Gearing up for a full U.S. tour in the fall, and a European tour with Abbath and Vltimas in 2020, more events will unfold, making this a banner year for 1349.
Photo credit: Dmitry Valberg
Cover artwork: Jordan Barlow
Recording studio: Amper Tone and Studio Studio Nyhagen
Engineered, mixed and mastered: by Jarrett Pritchard
Produced: by Jarrett Pritchard and 1349
Guest musicians: Destroyer – backing vocals on “Abyssos Antithesis” and “Striding the Chasm”
Check out the music video for the “Through Eyes of Stone”, here: